Dave Ball, one half of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.
Together with singer Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of electronic music.
He later founded the innovative electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.
Ball passed away calmly in his rest at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
Health Struggles
During that show, Ball performed in a mobility chair, as he had for the last two years, following a period of ill-health.
"I ended up damage myself significantly," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and broke my wrist."
Following catching pneumonia and developing blood poisoning, he was put in an medically-induced sleep and remained in hospital for half a year.
However, he had been in "high spirits mentally" during the summer, as he worked on a new album with Almond, called Danceteria, which is set for publication next year.
"He was concentrated and so happy with the new album that we actually completed only a short time ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the fact that he heard the finished record and believed that it was a great piece of work."
Tributes
Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.
"Thank you Dave for being an significant part of my existence and for the music you gave me. I wouldn't be where I am without you."
Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".
"Forming a duo with someone is different from joining a band, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, memorable experiences as a team. Many thanks, Dave."
Early Life
Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months old.
He grew up in Blackpool with adoptive parents his caregivers, who changed his first name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.
He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.
Musical Partnership
The pair were an unusual combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a unique musical alchemy.
Ball had developed a interest with synthesizers after viewing Kraftwerk perform on a television program Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was composing.
Their signature song became the United Kingdom's second biggest-selling song of 1981, selling 21 million units worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it helped cleared the way for the synth-pop sound of the 80s.
The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.
They followed the record up with the separate release, Torch, which peaked at the second position in the following year.
Professional Journey
Success had its benefits. "I loved being able to purchase my first home, having money and exploring, which makes me sound like a Miss World," Ball not long ago shared with a music magazine.
But it also presented problems. "Sudden riches allowed we could purchase substances to alleviate the monotony" of press appearances and television shows, Ball said.
"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."
Amidst the party-filled existence, the duo were also growing distant, but they managed to create a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.
Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.
Later Work and Comebacks
Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.
After another break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, 2018.
Yet, they remained active, recording their latest project, Happiness Not Included, during the 2020 restrictions.
Ball lately characterized the duo's new album as a homage to the NYC nightlife they visited while recording their first two albums.
He noted that his period in hospital had influenced the band's sound.
"I had unusual memories when I was coming and going of the hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the times me and Marc had in the 80s."
The last versions were completed only days before Ball died. It is scheduled for release in the spring of 2026.